In Mattias Adolfsson’s meticulous illustrations, organized chaos is the name of the game. Drawing inspiration from a recent trip to Japan, the Swedish artist has recently filled his 41st Moleskine notebook with science fiction-inspired scenes of sushi bar mayhem, urban piles, and travel woes. Redolent of Where’s Waldo, Adolfsson often incorporates a caricature of himself into each scene; his face peeks out from advertisements, food, and anthropomorphized objects. His characteristically frenetic drawings fill each spread from edge to edge in a finely-tuned balance of order and insanity, encouraging the viewer on an endless seek-and-find journey that reveals more peculiarities, details, and twists the more one looks.
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